1. Every Peach is a Story, by David Mas Masumoto and Nikiko Masumoto, illustrated by Lauren Tamaki (2025)
Sweet picture book about interdependence and farming, from the father and daughter who grow some of the most legendary peaches and nectarines in California.
2. Molly Saves the Day: A Summer Story, by Valerie Tripp (1986)
Yes, I got suddenly nostalgic for these books after reading another World War II-era middle-grade novel, and read the whole box set. (By the way, my library only had a partial set, what the heck? Thank goodness for inter-library loans.) I have such strong memories of the lovely, vivid, realistic illustrations in these books, as well as the mini illustrations that are sprinkled directly into the text.
3. So Gay for You: Friendship, Found Family, and the Show that Started It All, by Leisha Hailey and Kate Moennig (2025)
I enjoyed the behind-the-scenes insights and anecdotes from The L Word, which I have watched four or five times through in the last twelve years and am currently re-watching with my wife. It was very much a celebrity memoir. Some parts I read just to get to the interesting parts.
4. Molly's Surprise: A Christmas Story, by Valerie Tripp (1986)
See above!
5. Into the Water, by Paula Hawkins (2017)
Hmm! I wanted a page-turner and trusted that this author would deliver, and she did. I truly enjoy how well she builds an atmosphere and how hard she makes each word choice work for her. Most (or all?) of the narrators were so unwell that I felt rather unwell and stressed reading this, but no regrets.
6. Why Me? The Unfair Reason You Get Cavities and What to Do About It, by V. Kim Kutsch (2020)
My dentist gave this to me for free and it was quite informative!
7. The Invisible Life of Addie LaRue, by V.E. Schwab (2020)
My feelings about this really shifted throughout the course of the novel. Fascinating premise: a woman who lives forever but cannot be remembered once an interaction ends. Our introduction to Addie in 2014 New York City was executed so well. I wish it had been a short story - it would have been an amazing one.
The 2014 parts felt more successful than the many, many historical flashbacks. I love historical fiction, but I have high standards for it (thanks, Kate Forsyth!). I want a certain depth of research and richness of detail and a level of unfamiliarity if the setting is a foreign country hundreds of years ago. The historical narrative also felt like a slog, because immortality is a slog for Addie - her curse means she can't have relationships of any kind, hold a job, successfully rent or own property, it's a lot - so I kind of respect that but still didn't enjoy it. The 2014 narrative began to feel like 500 Days of Summer. Lots of manic pixie NYC adventures. The ending didn't really spark for me.