1. Fox Poems, 1998-2000, by Adrienne Rich
Not my favorite of hers.
2. Rose, by Li-Young Lee
Poetry. Romantic and image-driven. I posted a section from the long title poem.
3. Intuitive Eating, by Evelyn Tribole and Elyse Resch
I absolutely love their approach to recovering from the diet mentality (which I'd say almost every US American has, apart from actual dieting). Essentially, it's about re-learning to eat the way that we were born knowing how to: eating what our body wants when we're hungry and stopping when we've had enough. The book outlines their core principles (which are smart and kind and utterly sustainable) and the process of becoming an intuitive eater.
4. The Four Loves, by C.S. Lewis
Dense with insights. I could definitely read this again. Exposition on four categories of love — affection, friendship, romance, and charity — and what they show us about God, as well as the particular opportunities in each for idolatry. Anytime he mentions gender, he tends to say something misogynistic, though.
5. Riptide: Struggling with and Resurfacing from a Daughter's Eating Disorder, by Barbara Hale-Seubert
I had a lot to say about this book, so it'll get its own post soon.
6. The Beautiful Between, by Alyssa B. Sheinmel
YA, set in a Manhattan high school. Not terribly memorable, but written with heart.
Showing posts with label Li-Young Lee. Show all posts
Showing posts with label Li-Young Lee. Show all posts
Tuesday, November 29, 2011
Friday, November 11, 2011
And where there is rain
This is what I love about his poems, that they are like photographs. Or small in-between moments from a beautiful movie. An aching clarity.
Always a Rose: 6
Not for the golden pears, rotten on the ground —
their sweetness their secret — not for the scent
of their dying did I go back to my father's house. Not for the grass
grown wild as his beard in his last few months,
nor for the hard, little apples that littered the yard,
and vines, rampant on the porch, tying the door shut,
did I stand there, late, rain arriving.
The rain came. And where there is rain,
there is time, and memory, and sometimes sweetness.
Where there is a son, there is a father.
And if there is love there is
no forgetting, but regret rending
two shaggy hearts.
I said good-bye to the forsythia, flowerless for years.
I turned from the hive-laden pine.
Then, I saw it — you, actually.
Past the choked rhododendrons,
behind the perishing gladiolas, there
in the far corner of the yard, you, my rose,
lovely for nothing, lonely for no one,
stunning the afternoon
with your single flower ablaze.
I left that place, I let the rain
meditate on the brilliance of one blossom
quivering in the beginning of downpour.
– Li-Young Lee
from Rose
Always a Rose: 6
Not for the golden pears, rotten on the ground —
their sweetness their secret — not for the scent
of their dying did I go back to my father's house. Not for the grass
grown wild as his beard in his last few months,
nor for the hard, little apples that littered the yard,
and vines, rampant on the porch, tying the door shut,
did I stand there, late, rain arriving.
The rain came. And where there is rain,
there is time, and memory, and sometimes sweetness.
Where there is a son, there is a father.
And if there is love there is
no forgetting, but regret rending
two shaggy hearts.
I said good-bye to the forsythia, flowerless for years.
I turned from the hive-laden pine.
Then, I saw it — you, actually.
Past the choked rhododendrons,
behind the perishing gladiolas, there
in the far corner of the yard, you, my rose,
lovely for nothing, lonely for no one,
stunning the afternoon
with your single flower ablaze.
I left that place, I let the rain
meditate on the brilliance of one blossom
quivering in the beginning of downpour.
– Li-Young Lee
from Rose
Friday, March 27, 2009
The other sort of heartache
The sweeter sort that you get when you read something that is not just beautiful, but so singingly true...
This poem captures the best kind of happiness so perfectly that I can practically taste it just reading these lines. I love the wishes that the speaker expresses in the third stanza, but it is the last stanza that makes my heart ache.
From Blossoms
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.
From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.
O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
- Li-Young Lee
I first read this at Chloe's blog, heart-shaped morning.
Poetry Friday roundup hosted by Julie Larios at The Drift Record.
This poem captures the best kind of happiness so perfectly that I can practically taste it just reading these lines. I love the wishes that the speaker expresses in the third stanza, but it is the last stanza that makes my heart ache.
From Blossoms
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.
From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.
O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
- Li-Young Lee
I first read this at Chloe's blog, heart-shaped morning.
Poetry Friday roundup hosted by Julie Larios at The Drift Record.
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