Showing posts with label Sarah Ruhl. Show all posts
Showing posts with label Sarah Ruhl. Show all posts

Tuesday, September 13, 2011

Read in July 2011

1. Pieces of a Song: Selected Poems, by Diane di Prima
Wild and thought-provoking, a strange simultaneity of squalor and loveliness.

2. The Water Tower, by Gary Crew
WHOA strange and freaky-deaky story in a unique picture book layout. It took me several read-throughs to decide what I thought it was about/what had happened. The plot is enigmatic and quiet, but very creepy.

3. Veronika Decides to Die, by Paulo Coelho
I thought from the beginning that I would really like this book, but I found it tiresome. It questions our ideas of sanity/insanity in a very cliché way; it has this gimmicky and unsurprising little twist at the end; also, the turning point in the character's inner journey is this absurd exhibitionist masturbation scene. Oh, and that quasi-inspiring IMAGINE IF YOU HAD ONLY A WEEK TO LIVE, HOW WOULD YOU LIVE? premise. Blah. It reads like an early draft.

4. Eurydice, by Sarah Ruhl
Quirky and poetic. See it on stage if you ever get the chance. I saw it in February at my college and it kind of devastated me.

5. Through the Looking-Glass and What Alice Found There, by Lewis Carroll
I don't know how to appreciate this, or Alice. Not saying there's nothing to appreciate about them; I just, ah, have no idea.

6. The Will to Change: Poems 1968-1970, by Adrienne Rich

7. Telephone Ringing in the Labyrinth: Poems 2004-2006, by Adrienne Rich

8. Darkness Visible: A Memoir of Madness, by William Styron
This was quite dark, and it could be very triggering to people with depressive tendencies.  For some reason it was just what I needed, though — a reminder that when I'm facing depression, it is real and serious and urgent, and something that a lot of other humans are encountering too. This is a cliché but I mean it: if you haven't experienced depression, reading this book is the closest you can come to understanding what it is like. I recommend it for that reason.

9. Three Guineas, by Virginia Woolf
She is so freaking smart. It felt like work to read this, but the text is its own reward. Sharp sharp sharp, sarcastic, stimulating. Nonfiction: musings on capitalism (wage labor), war, and the place of women in her society, especially middle-class women in Western societies.

10. Traveling Light: Poems, by Linda Pastan
Have a taste for yourself, here.

Sunday, July 10, 2011

Second Movement, Scene 1 (the underworld)

           EURYDICE

There was a roar, and a coldness—
I think my husband was with me.
What was my husband's name?

   Eurydice turns to the Stones.

My husband's name? Do you know it?

   The Stones shrug their shoulders.

How strange. I don't remember.
It was horrible to see his face
when I died. His eyes were
two black birds
and they flew to me.
I said: no—stay where you are—
he needs you in order to see!
When I got through the cold
they made me swim in a river
and I forgot his name.
I forgot all the names.
I know his name starts with my mouth
shaped like a ball of twine—
Oar—oar.
I forget.
They took me to a tiny boat.
I only just fit inside.
I looked at the oars
and I wanted to cry.
I tried to cry but I just drooled a little.
I'll try now.

   She tries to cry but finds that she can't.

What happiness it would be to cry.

   She takes a breath.

I was not lonely
only alone with myself
begging myself not to leave my own body
but I was leaving.
Good-bye, head—I said—
it inclined itself a little, as though to nod to me
in a solemn kind of way.

   She turns to the Stones.

How do you say good-bye to yourself?

   They shake their heads.
   A train whistle.

– Sarah Ruhl
from her play Eurydice