1. Gingerbread, by Rachel Cohn
S'okay. Quick and fairly fluffy. The narrator has a strong voice which I didn't love. Interesting to read a YA treatment of abortion, though. Also, I must give this correction as a native San Franciscan: "Ocean Beach" is not the name of the neighborhood. Ocean Beach refers to nothing but the beach itself. The neighborhood's called the Outer Sunset.
2. Sidewalks in the Kingdom: New Urbanism and the Christian Faith, by Eric O. Jacobsen
Satisfactory introduction to New Urbanism? Yeah, I guess so. Relies heavily on anecdotal support. And by the time I was halfway through this book, I was FED UP with hearing about Missoula, Montana. I don't care about Missoula. Why could he not draw examples from Real Cities? This is partly me being a snob, partly methinking that he doth protest too much (Missoula is a Real City! Missoula is a Real City!), and partly me being real. Missoula has a population of 65,000. Seriously, Eric O. Jacobsen.
3. The Salt Flowers, by Travis Ian Smith
See here.
4. Dangerous Neighbors, by Beth Kephart
This is historical fiction with a funny little incidental flavor of fable or myth. The chronological structure works well (one day + flashbacks) and the narrative offers some very compelling images that are still in my head. Twins make for such interesting stories. I was thinking that maybe this is because most of us can relate to feeling two sides/aspects of ourselves in opposition...
5. A Little Friendly Advice, by Siobhan Vivian
I could tell by the prose that this was her first book, if you know what I mean. Not to be catty; it just did seem not quite mature. Original characters. Too much description of clothing. Made me want to take lots of polaroids (or in my case, instax minis).
6. The Hitchhiker's Guide to the Galaxy, by Douglas Adams
Strange but (/and?) entertaining. Didn't really stick with me, but I quite enjoyed it. The movie makes more sense to me now.
7. Audrey, Wait! by Robin Benway
Fun and smart. YA.
8. Milkweed, by Jerry Spinelli
I've read a lot of children's/YA fiction about the Holocaust, but never anything set in a ghetto before. So that was enlightening. It was a good read, compelling and fairly unique. My main gripe is with the character of Janina, who was incredibly irritating. Enough so that she actually made it hard to keep reading at points.
9. Northanger Abbey, by Jane Austen
I read most of this with my contessoration at college. I expected the whole thing to be some madcap Gothic satire; it was actually pretty typical Jane Austen fare except for maybe...the third-quarter of the book. That was the Gothic satire bit, which was excellent to read after Jane Eyre. I liked the male hero and the protagonist, Catherine Morland, quite a lot. She's the youngest and silliest of Jane's heroines that I've read so far, but in a likeable way. The whole book is, under the surface, kind of a love letter to people who like fiction a bit too much.
10. The Lone Ranger and Tonto Fistfight in Heaven, by Sherman Alexie
Oh, my. Contemporary short stories focusing on Native American experiences. Lyrical in the "what did I just read?" way. Powerful where you can understand it, kind of moving even when you can't. Not terribly accessible, but worth a slow reading.
Showing posts with label Travis Ian Smith. Show all posts
Showing posts with label Travis Ian Smith. Show all posts
Sunday, June 6, 2010
Sunday, May 23, 2010
"Sunday/The heat rises into pearls"
I was honored to be given a copy of this poet's first book recently. I posted one of his poems (from an anthology) here before. The book, which is also called The Salt Flowers, is a volume lush with beautiful images. One of those books that I read at bedtime in hopes that it might bleed into my dreams.
This poem grabbed me with its first stanza, which made me think of this poem by e. e. cummings. I love the reminiscent feeling of it, the emotional clarity, and of course, the stunning imagery. A coming-summer poem and a taste of a beautiful book.
The Salt Flowers
I don't know why something in me
closes like hands
in these days of June
I don't know turning above
everything at night
the endless braid of stars
I don't know flowers or rain or nightmares
or the unraveling thread that is
my future
It is Sunday
The heat rises into pearls
I remember
daylight twisted in palm trees
clouds reflected on the sea
Your mouth embroidered with mine
- Travis Ian Smith
This poem grabbed me with its first stanza, which made me think of this poem by e. e. cummings. I love the reminiscent feeling of it, the emotional clarity, and of course, the stunning imagery. A coming-summer poem and a taste of a beautiful book.
The Salt Flowers
I don't know why something in me
closes like hands
in these days of June
I don't know turning above
everything at night
the endless braid of stars
I don't know flowers or rain or nightmares
or the unraveling thread that is
my future
It is Sunday
The heat rises into pearls
I remember
daylight twisted in palm trees
clouds reflected on the sea
Your mouth embroidered with mine
- Travis Ian Smith
Friday, July 18, 2008
Waiting for the hibiscus
I read this poem in an anthology of Texas poets that Naomi Shihab Nye edited, Is This Forever, or What? It has such a sweet feeling; it really makes me happy. The speaker's voice is so guileless, his words so simple, and although the poem is only a small window into his relationship with the person he's addressing, what he says - references to scenes we haven't witnessed, his obvious earnestness about their relationship - makes it a dimensioned glimpse, makes me feel like I know them.
Giant, Red Hibiscus
I wish you were here waiting with me in my mother's garden.
The early morning sunlight has splintered
through the fence, has every leaf glittering.
I am waiting for the giant, red face of the hibiscus to open.
And I would like to watch you watch the hibiscus
in early morning,
how it changes from some seemingly red, dead-looking thing
into the most beautiful bloom on earth.
I'm sorry, I forgot. I meant the second most beautiful thing.
How many times have you said
that I never share anything with you,
that I never tell you what's important to me?
Well, here it is. The hibiscus, I mean.
When I saw it yesterday for the first time I remembered difficulty.
And I wanted you to see it.
I wanted us to watch something open and not be afraid.
- Travis Ian Smith
Kelly at Writing and Ruminating is hosting this week's poetry round-up.
Giant, Red Hibiscus
I wish you were here waiting with me in my mother's garden.
The early morning sunlight has splintered
through the fence, has every leaf glittering.
I am waiting for the giant, red face of the hibiscus to open.
And I would like to watch you watch the hibiscus
in early morning,
how it changes from some seemingly red, dead-looking thing
into the most beautiful bloom on earth.
I'm sorry, I forgot. I meant the second most beautiful thing.
How many times have you said
that I never share anything with you,
that I never tell you what's important to me?
Well, here it is. The hibiscus, I mean.
When I saw it yesterday for the first time I remembered difficulty.
And I wanted you to see it.
I wanted us to watch something open and not be afraid.
- Travis Ian Smith
Kelly at Writing and Ruminating is hosting this week's poetry round-up.
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